Lakeside Unknown, flattop |
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Color: Jade Material: Celluloid |
Filler: Lever Date c. ca. 1920s |
Nib: 14K M-ish, slight flex
Working? Yes |
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Another rare brand, Lakeside was th top-of-the-line pen produced for Montgomery Ward in the early half of the 20th C. Beyond the Lakeside name, I was not able to find a model for this pen. The 14K nib is springy, not quite flexy, but a sweet writer. The Jade is in very good condition, with almost none of the discoloration that plagues so many Jade celluloid pens. |
Greischaber Baby Grand Ringtop |
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Color: Jade Material: Celluloid |
Filler: Lever Date c. ca. 1930s |
Nib: 14K Greishaber #1
Working? Yes |
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Greischaber is a fairly obscure brand that made pens in Chicago from somewhere in the 1890s into at least the 1930s. This micro-mini pen (3″ capped) has a nicely preserved jade color, and a teensy 14K Greischaber-makred #1 nib. The nib seems little-used, and the barrel imprint is clear. Sadly, it’s missing it’s ringtop, which means it is essentially open to the air, so it’s not rwally useable. To be fair it’s a little small to be used easily anyway. A nifty little treasure! |
Eversharp Skyline Executive |
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Color: Maroon w/ striated cap Material: Resin/plastic |
Filler: Lever Date c. ca. 1946 |
Nib: 14K banner nib, M/B
Working? Yes |
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Perhaps the most distinctively Art Deco pen made, designed by Henry Deyfuss, one of the most prolific designers of everyday use objects of the Art Deco era. This is a larger model, and the striated cap is a rarity. I’m putting it at the later end of production (1940-48) because of the ‘over the top’ structure at the clip – earlier pens, I believe, had the plainer domed top to the cap. As with most vintage gold-nib pens, it’s a gorgeous writer, and while it only has a small hint of flex, it is an expressive writer. |
Eclipse Safety (maybe) |
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Color: Black with white and 'carnelian' cap jewel Material: Chased black hard rubber |
Filler: Lever Date c. ca. 1925 |
Nib: 14K F/M
Working? Yes |
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Eclipse is a hard brand to pin down. PenTrace did a nice piece here, where he decries the lack of consitency and examples, and true to form, this pen doesn’t quite line up with any of his examples, either. It’s in fantastic shame, almost NOS, but carries no imprint other than ‘Eclipse’ on the clip. The nib is marked only ‘Warranted 14K.’ What makes this pen unusual are the spoon-shaped lever, and the translucent cap jewel, which I have not seen on any other pen, though Eclipse did seem to be fairly adventurous with their designs. According to PenTrace, the company changed to a new clip from the standard ‘z-clip’ of the early 1920s in 1923, and this model has the ‘Klein Clip’, which puts it at the earliest, 1924. I have this listed as BHR, which would also indicate 1920s, but it’s also possible that it’s plastic molded to empulate BHR. The spoon clip with the laurel wreath imprint does not have a lever box, which also suggests mid-to-late 1920s. In any case, it’s a really pretty, classically vntage styled flat-top pen. |
Sheaffer Balance |
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Color: Roseglow Material: Celluloid |
Filler: Lever Date c. 1936-39 |
Nib: 14K F
Working? No |
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A mid-size Balance in the elusive Roseglow, a gorgeous deep dusty rose with grey shimmers in its striated finish, with chrome appointments. A fantastic writer, as most every Sheaffer I’ve met is, and a lovely pen in a rare material. |
Sheaffer Balance OS |
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Color: Black & Pearl Material: Celluloid |
Filler: Lever Date c. 1929-34 |
Nib: 14K M-ish
Working? Yes |
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The only reason I list this as a hybrid is that the section, feed, & nib came together as a ‘donor’ from another pen. When I snagged a batch lot of Sheaffers, there was an icky muddy brown Jade flattop without a cap. I held onto it, hoping to run into a cap and turn it into a user-grade pen. Some months later, another batch to purchase needed a gorgeous OS Balance barrel & cap without a section…. well of course, that pen needed a nib and that luscious flattop nib needed a home, so a match was made. Since the production of flattops and the early Balances overlapped, I figure I’m not committing to grievous a sin, and the resulting pen is so worth it! |
Sheaffer Craftsman |
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Color: Carmine Striated Material: Celluloid |
Filler: Lever Date c. 1939-47 |
Nib: 14K F
Working? Yes |
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This beauty came to me in a batch lot, which, if I”m being honest, I purchased for the Jade Flattop However, this title gem would have made the purchase worthwhile on its own. One of the brightest gleaming carmine examples I’ve run across, it arrived in perfect writing trim, needing one a quick flush and polish. |
Sheaffer Fineline |
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Color: Black w/GP cap Material: Plastic |
Filler: Lever Date c. 1950 |
Nib: Steel F
Working? Yes |
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One of Sheaffer’s sort-of spinoff brands, Fineline pens use a replaceable threaded nib unit similar to (but not compatible with) the Esterbrook Renew points. This one has a lovely steel fine. The body and cap feel noticeably ‘cheaper’ than a full on Sheaffer, but it’s definitely holds its own as a mid-range writing instrument. |
Sheaffer Petite Balance |
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Color: Black & Pearl Material: Celluloid |
Filler: Lever Date c. 1929-30 |
Nib: 14K 5-30 F/M
Working? Yes |
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I miniature version of the OS Balance Black and pearl I have listed. It’s so dainty and delicate! The black & pearl finish and the ‘humped-ball clip’ put it between 1929-33, but this seems to be the bigger ‘hump’ version, so I’m calling it 1929-30, before Sheaffer flattened out the hump a bit. Best of all, when I got this, I was dismayed to find some very deep scratches on the barrel, only to find on closer inspection a very subtle and classy monogram – that just happened to be my initials! |
Sheaffer Petite Flattop Ringtop |
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Color: Black & Pearl Material: Celluloid |
Filler: Lever Date c. 1925-26 |
Nib: 14K Lifetime
Working? Yes |
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A darling mini-version of Sheaffer’s iconic Flattop, with a ring and a white dot on the side of the cap just above the clip. The nib has a five-line imprint with a serial number, which places it between 1925-26. Fairly severe brassing of the band, but otherwise a beautiful example of a scarce pen. |